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001 on1248759283
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040 _aDEGRU
_beng
_erda
_epn
_cDEGRU
_dEBLCP
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_dOCLCO
_dOCLCF
_dYDXIT
020 _a9783839448854
_qelectronic book
020 _a3839448859
_qelectronic book
024 7 _a10.14361/9783839448854
_2doi
035 _a2915597
_b(N$T)
035 _a(OCoLC)1248759283
043 _ae------
050 4 _aML1720.3
_b.O64 2021
050 4 _aPN1475
082 0 4 _a782.109033
_223
082 0 4 _a709.04
_223
049 _aMAIN
245 0 0 _aOperatic Pasticcios in 18th-Century Europe :
_bContexts, Materials and Aesthetics /
_cBerthold Over, Gesa zur Nieden (eds.).
264 1 _aBielefeld :
_bTranscript,
_c[2021]
264 4 _c�2021
300 _a1 online resource (798 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
347 _bPDF
490 1 _aMainz historical cultural sciences ;
_vvolume 45
505 0 0 _tFrontmatter --
_tEditorial --
_tContent --
_tIntroduction --
_tThe World of Pasticcio Reflections on Pre-Existing T ext and Music --
_tItalian Pasticcio Opera, 1700-1750 Practices and Repertoires --
_t1. Pasticcio Principles in Different Arts --
_tAntoine Watteau's pasticci --
_tPasticcio Practice in 18th-Century German Theater --
_tAdaptations of Stage Directions and Stage Designs in Pietro Metastasio' s drammi per musica --
_tBetween Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg --
_t2. Pasticcio vs. Pastiche --
_tThe Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work --
_tPasticcio en litt�erature? --
_tOn the New Significance of the Pastiche in Copyright Law --
_t3. Traveling Musicians -- Traveling Music? --
_tA Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy --
_tDebts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business --
_tItalian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence --
_tDido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe --
_tPalladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) --
_t4. Local Conditions of Pasticcio Production and Reception --
_tCollaboration, Arrangement, 'Dressing': The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century --
_tProduction of Opera Pasticcios in Venice in the Early 18th Century. The Impresario's Role --
_tArtaserse (Rome, 1721), Nicola Porpora's First Pasticcio --
_tSingers of the Viennese K�arntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios --
_tThe Book of Pasticcios: Listening to Ormisda's Material Texts --
_tBorrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London --
_tLocal Conditions of Pasticcio Production and Reception: Between Prague, W roc�aw and Moravia --
_tThe Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis' s Common Practice? --
_tA Granted Royal Wish, or Carlo Goldoni' s La buona figliuola with Music by Niccol�o Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 --
_t5. Pasticcio Practices Beyond Opera --
_tBad Habits in Theater -- Late Forms of Operatic Pasticcios in Vienna Around 1800 --
_tDance in Pasticcios -- Pasticcios in Dance --
_tBallet Performance as Motivation for Pasticcio Practices -- Gluck' s and Berton's Cyth�ere assi�eg�ee (1775) --
_tThe Use of Extracts of Mozart' s Operas in Polish Sacred Music --
_tPasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wroclaw and Zagan from the Mid-18th Century --
_t6. Pasticcio Between Philology and Materiality --
_tApostolo Zeno's Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples --
_tThe Musical and Physical Mobility of Material in Handel Sources --
_tPasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century --
_tGluck's Contribution to the Pasticcios Arsace and La finta schiava --
_tDigital Music Editions Beyond [Edited] Musical Text --
_tThe pasticci Tree: Manual and Computing Solutions --
_tWays of Replacement -- Loss and Enrichment --
_tEpilogue --
_tList of Contributors --
_tIndex of Persons --
_tIndex of Places.
520 _aIn Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as "pasticcios" since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles
546 _aIn English.
588 _aDescription based on online resource; title from digital title page (viewed on November 05, 2021).
590 _aWorldCat record variable field(s) change: 050, 082, 650
650 0 _aOpera
_zEurope
_y18th century.
650 0 _aPasticcio.
650 0 _aOperas
_y18th century.
650 7 _aART
_xHistory
_xGeneral.
_2bisacsh
650 7 _aOperas.
_2fast
_0(OCoLC)fst01046191
650 7 _aPasticcio.
_2fast
_0(OCoLC)fst01054514
653 _aArt History.
653 _aArt.
653 _aArts.
653 _aCultural History.
653 _aEuropean Art.
653 _aFine Arts.
653 _aMusic Aesthetics.
653 _aPastiche.
653 _aWork Concept.
655 4 _aElectronic books.
700 1 _aOver, Berthold,
_eeditor,
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700 1 _aZur Nieden, Gesa,
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700 1 _aAlbrecht-Hohmaier, Martin,
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700 1 _aBellina, Anna Laura,
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700 1 _aBertinetto, Alessandro,
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700 1 _aBetzwieser, Thomas,
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700 1 _aBlichmann, Diana,
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700 1 _aFinkel, Carola,
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700 1 _aG�olz, Tanja,
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700 1 _aHartmann, Tina,
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700 1 _aHerold, Kristin,
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700 1 _aJahn, Bernhard,
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700 1 _aKnaus, Kordula,
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700 1 _aKokole, Metoda,
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700 1 _aKramer, Ursula,
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700 1 _aK�orner, Hans,
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700 1 _aLanfossi, Carlo,
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700 1 _aMarkuszewska, Aneta,
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700 1 _aM�ucke, Panja,
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700 1 _aMadry, Alina,
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700 1 _aPelliccia, Emilia,
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700 1 _aPhilippi, Daniela,
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700 1 _aPietschmann, Klaus,
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700 1 _aRomagnoli, Angela,
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700 1 _aRyszka-Komarnicka, Anna,
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700 1 _aSpurgjasz, Katarzyna,
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700 1 _aSp�a�cilov�a, Jana,
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700 1 _aStefani, Gianluca,
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700 1 _aStrohm, Reinhard,
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700 1 _aVeit, Joachim,
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700 1 _aZedler, Andrea,
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700 1 _aZsov�ar, Judit,
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830 0 _aMainzer historische Kulturwissenschaften ;
_vBd. 45.
856 4 0 _3EBSCOhost
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938 _aDe Gruyter
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938 _aProQuest Ebook Central
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