000 | 09955cam a2201141Ki 4500 | ||
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001 | on1248759283 | ||
003 | OCoLC | ||
005 | 20230405094149.0 | ||
006 | m d | ||
007 | cr cnu---unuuu | ||
008 | 210421t20212021gw fo 000 0 eng d | ||
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_aDEGRU _beng _erda _epn _cDEGRU _dEBLCP _dN$T _dOCLCO _dOCLCF _dYDXIT |
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_a9783839448854 _qelectronic book |
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_a3839448859 _qelectronic book |
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_a10.14361/9783839448854 _2doi |
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035 |
_a2915597 _b(N$T) |
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035 | _a(OCoLC)1248759283 | ||
043 | _ae------ | ||
050 | 4 |
_aML1720.3 _b.O64 2021 |
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050 | 4 | _aPN1475 | |
082 | 0 | 4 |
_a782.109033 _223 |
082 | 0 | 4 |
_a709.04 _223 |
049 | _aMAIN | ||
245 | 0 | 0 |
_aOperatic Pasticcios in 18th-Century Europe : _bContexts, Materials and Aesthetics / _cBerthold Over, Gesa zur Nieden (eds.). |
264 | 1 |
_aBielefeld : _bTranscript, _c[2021] |
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264 | 4 | _c�2021 | |
300 | _a1 online resource (798 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 | _atext file | ||
347 | _bPDF | ||
490 | 1 |
_aMainz historical cultural sciences ; _vvolume 45 |
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505 | 0 | 0 |
_tFrontmatter -- _tEditorial -- _tContent -- _tIntroduction -- _tThe World of Pasticcio Reflections on Pre-Existing T ext and Music -- _tItalian Pasticcio Opera, 1700-1750 Practices and Repertoires -- _t1. Pasticcio Principles in Different Arts -- _tAntoine Watteau's pasticci -- _tPasticcio Practice in 18th-Century German Theater -- _tAdaptations of Stage Directions and Stage Designs in Pietro Metastasio' s drammi per musica -- _tBetween Dwarfs and Giants. Aesthetics of the Pasticcio between London and Hamburg -- _t2. Pasticcio vs. Pastiche -- _tThe Musical pasticcio: A Plea for a Readymade Ontology for the Musical Work -- _tPasticcio en litt�erature? -- _tOn the New Significance of the Pastiche in Copyright Law -- _t3. Traveling Musicians -- Traveling Music? -- _tA Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal Academy -- _tDebts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring Business -- _tItalian operisti, Repertoire and the aria di baule: Insights from the Pirker Correspondence -- _tDido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupe -- _tPalladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) -- _t4. Local Conditions of Pasticcio Production and Reception -- _tCollaboration, Arrangement, 'Dressing': The Different Recipes for the pasticcio alla napoletana in the First Half of the 18th Century -- _tProduction of Opera Pasticcios in Venice in the Early 18th Century. The Impresario's Role -- _tArtaserse (Rome, 1721), Nicola Porpora's First Pasticcio -- _tSingers of the Viennese K�arntnertortheater in the 1730s in the Light of Aria Substitutions and Pasticcios -- _tThe Book of Pasticcios: Listening to Ormisda's Material Texts -- _tBorrowed Voices. Legal Ownership of Insertion Arias in 18th-Century London -- _tLocal Conditions of Pasticcio Production and Reception: Between Prague, W roc�aw and Moravia -- _tThe Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis' s Common Practice? -- _tA Granted Royal Wish, or Carlo Goldoni' s La buona figliuola with Music by Niccol�o Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765 -- _t5. Pasticcio Practices Beyond Opera -- _tBad Habits in Theater -- Late Forms of Operatic Pasticcios in Vienna Around 1800 -- _tDance in Pasticcios -- Pasticcios in Dance -- _tBallet Performance as Motivation for Pasticcio Practices -- Gluck' s and Berton's Cyth�ere assi�eg�ee (1775) -- _tThe Use of Extracts of Mozart' s Operas in Polish Sacred Music -- _tPasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wroclaw and Zagan from the Mid-18th Century -- _t6. Pasticcio Between Philology and Materiality -- _tApostolo Zeno's Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and Naples -- _tThe Musical and Physical Mobility of Material in Handel Sources -- _tPasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18th Century -- _tGluck's Contribution to the Pasticcios Arsace and La finta schiava -- _tDigital Music Editions Beyond [Edited] Musical Text -- _tThe pasticci Tree: Manual and Computing Solutions -- _tWays of Replacement -- Loss and Enrichment -- _tEpilogue -- _tList of Contributors -- _tIndex of Persons -- _tIndex of Places. |
520 | _aIn Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as "pasticcios" since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles | ||
546 | _aIn English. | ||
588 | _aDescription based on online resource; title from digital title page (viewed on November 05, 2021). | ||
590 | _aWorldCat record variable field(s) change: 050, 082, 650 | ||
650 | 0 |
_aOpera _zEurope _y18th century. |
|
650 | 0 | _aPasticcio. | |
650 | 0 |
_aOperas _y18th century. |
|
650 | 7 |
_aART _xHistory _xGeneral. _2bisacsh |
|
650 | 7 |
_aOperas. _2fast _0(OCoLC)fst01046191 |
|
650 | 7 |
_aPasticcio. _2fast _0(OCoLC)fst01054514 |
|
653 | _aArt History. | ||
653 | _aArt. | ||
653 | _aArts. | ||
653 | _aCultural History. | ||
653 | _aEuropean Art. | ||
653 | _aFine Arts. | ||
653 | _aMusic Aesthetics. | ||
653 | _aPastiche. | ||
653 | _aWork Concept. | ||
655 | 4 | _aElectronic books. | |
700 | 1 |
_aOver, Berthold, _eeditor, _econtributor. |
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700 | 1 |
_aZur Nieden, Gesa, _eeditor, _econtributor. |
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700 | 1 |
_aAlbrecht-Hohmaier, Martin, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aBellina, Anna Laura, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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700 | 1 |
_aBertinetto, Alessandro, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aBetzwieser, Thomas, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aKokole, Metoda, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aPhilippi, Daniela, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aPietschmann, Klaus, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aRomagnoli, Angela, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aRyszka-Komarnicka, Anna, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aSpurgjasz, Katarzyna, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aStrohm, Reinhard, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aVeit, Joachim, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aZedler, Andrea, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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_aZ�orawska-Witkowska, Alina, _econtributor. _4ctb _4https://id.loc.gov/vocabulary/relators/ctb |
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830 | 0 |
_aMainzer historische Kulturwissenschaften ; _vBd. 45. |
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