000			04227cam a2200613 i 4500
001			on1351522620
003			OCoLC
005			20230314100145.0
006			m d
007			cr una||||||||
008			221122t20232023miuac ob 001 0 eng d
040			_aEYM _beng _erda _epn _cEYM _dOCLCF _dN$T _dJSTOR _dP@U _dOCLCQ _dGUA
020			_a0472903748 _qelectronic book
020			_a9780472903740 _q(electronic bk.)
020			_z9780472075775 _qhardcover book
020			_z9780472055777 _qpaperbook book
024	7		_a10.3998/mpub.12253912 _2doi
035			_a3503487 _b(N$T)
035			_a(OCoLC)1351522620
037			_a22573/ctv34ns3c3 _bJSTOR
050		4	_aPR3091
072		7	_aPER _x000000 _2bisacsh
072		7	_aPER _x011020 _2bisacsh
072		7	_aLIT _x015000 _2bisacsh
072		7	_aSOC _x044000 _2bisacsh
082	0	4	_a822.33 _223
049			_aMAIN
100	1		_aDella Gatta, Carla, _eauthor.
245	1	0	_aLatinx shakespeares : _bstaging U.S. intracultural theater / _cCarla Della Gatta.
246	3	0	_aStaging U.S. intracultural theater
264		1	_aAnn Arbor, Michigan : _bUniversity of Michigan Press, _c2023.
264		4	_c�2023
300			_a1 online resource (xiii, 265 pages) : _billustrations, portraits
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
542	1		_fThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License _uhttps://creativecommons.org/licenses/by-nc-nd/4.0
504			_aIncludes bibliographical references (pages 227-248) and index.
520	3		_aLatinx peoples and culture have permeated Shakespearean performance in the United States for over 75 years--a phenomenon that, until now, has been largely overlooked as Shakespeare studies has taken a global turn in recent years. Author Carla Della Gatta argues that theater-makers and historians must acknowledge this presence and influence in order to truly engage the complexity of American Shakespeares. Latinx Shakespeares investigates the history, dramaturgy, and language of the more than 140 Latinx-themed Shakespearean productions in the United States since the 1960s--the era of West Side Story. This first-ever book of Latinx representation in the most-performed playwright's canon offers a new methodology for reading ethnic theater looks beyond the visual to prioritize aural signifiers such as music, accents, and the Spanish language. The book's focus is on textual adaptations or performances in which Shakespearean plays, stories, or characters are made Latinx through stage techniques, aesthetics, processes for art-making (including casting), and modes of storytelling. The case studies range from performances at large repertory theaters to small community theaters and from established directors to emerging playwrights. To analyze these productions, the book draws on interviews with practitioners, script analysis, first-hand practitioner insight, and interdisciplinary theoretical lenses, largely by scholars of color. Latinx Shakespeares moves toward healing by reclaiming Shakespeare as a borrower, adapter, and creator of language whose oeuvre has too often been mobilized in the service of a culturally specific English-language whiteness that cannot extricate itself from its origins within the establishment of European/British colonialism/imperialism.
588			_aDescription based on information from the publisher.
506	0		_aOpen Access _5EbpS
590			_aWorldCat record variable field(s) change: 600, 650
600	1	0	_aShakespeare, William, _d1564-1616 _xStage history _zUnited States _y20th century.
600	1	7	_aShakespeare, William, _d1564-1616. _2fast _0(OCoLC)fst00029048
650		0	_aHispanic American theater _zUnited States.
650		7	_aPERFORMING ARTS / General _2bisacsh
648		7	_a1900-1999 _2fast
710	2		_aMichigan Publishing (University of Michigan), _epublisher.
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3503487
938			_aProject MUSE _bMUSE _nmusev2_109760
938			_aEBSCOhost _bEBSC _n3503487
994			_a92 _bN$T
999			_c45311 _d45311