Includes bibliographical references.

Frontmatter -- Contents -- 1. Introduction: Trajectories of Images -- Networked Images and Image Networks -- 2. Greetings from Chicago: Image Networks and Infrastructures of Postcard Production and Circulation -- 3. Techniques of Transmission: Wire Service Photography and the Digital Image -- 4. Calm Images: The Invisible Visual Culture of Digital Image Distribution -- 5. Unmoving Bodies: In-Flight Entertainment, Infrastructural Images and Cultural Techniques of Sitting -- Formats and Mobility of Images -- 6. Cartes-de-Visite, Miniaturization and the Materiality of Circulation -- 7. Grainy Days and Mondays: Superstar and Bootleg Aesthetics -- 8. What Makes a Download a Stream? -- Trajectories and Traces -- 9. What Moves? The Itineraries of Pre-Digital Photography -- 10. Moved by Rubens: The Double Logic of Image Perception in the Age of Mechanical Reproduction (1877-1977) -- 11. Follow the Films. Reuses of a Research Film: Biography, Recycling, Whitewashing, Appropriation and Palimpsesting -- 12. Extraterrestrial Images -- List of Illustrations -- Contributors

In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - ranging from wired photography to postcards to streaming media.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021).

Added to collection customer.56279.3