TY - BOOK AU - Ketabgian,Tamara Siroone TI - The lives of machines: the industrial imaginary in Victorian literature and culture SN - 0472900358 AV - PR468.T4 K47 2011eb U1 - 820.9/356 PY - 2011/// CY - Ann Arbor PB - University of Michigan Press KW - English literature KW - 19th century KW - History and criticism KW - Literature and technology KW - Great Britain KW - History KW - Machinery in literature KW - Machinery KW - Technology KW - Social aspects KW - Litt�erature anglaise KW - 19e si�ecle KW - Histoire et critique KW - Litt�erature et technologie KW - Grande-Bretagne KW - Histoire KW - Machines dans la litt�erature KW - Machines KW - History / Europe / Great Britain KW - bisacsh KW - fast KW - Criticism, interpretation, etc N1 - Includes bibliographical references (pages 203-219) and index; Human parts and prosthetic networks : the Victorian factory and mesmeric forces --; Animal machine --; "Melancholy mad elephants" : affect and the animal machine in Hard times --; Brute appetites : labor and leisure in Mary Barton and early Victorian Manchester --; Psychic forces : steam, water, and mechanical perception in The mill on the floss --; "A musical steam engine" : sympathy, technique, and industrial commaunity N2 - Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture. Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman. The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3541851 ER -